Threedonians Use Amazon

This is my increasingly regular plea for you, when you shop at Amazon, to please use our links. That is where I get the money to keep this place open. I know y’all buy books and other things.

Click any Amazon link you see. If you block ads on our page then you can donate because that doesn’t help. Pause Ad blocker and shop for a minute. 🙂

Why The Gosnell Movie Matters

Zhu

Considering the forces arrayed against it, “Gosnell” has done pretty well. In two weeks, it’s made back its $2.4 million budget and then some, putting it on track to achieve minor profitability in its theatrical run. (DVD rentals/sales, where it will find most of its audience, will be icing on the cake.) However, its real success is in finally allowing the public to see a movie that puts the process of abortion front-and-center for viewers to consider. One of those viewers was Florida college student Kathy Zhu, who was pro-choice but a conservative-leaning person, and thus had enough of an open mind to go see the film. After watching it, she announced on Twitter that it had changed her to pro-life.

This past Sunday, Zhu announced that her more liberal leanings on abortion had changed after watching the “Gosnell” movie and promoted it to her 50,000 Twitter followers.

“Yesterday, I was pro-choice. I believed that women should have a say & the gov shouldn’t be interfering w/ our lives,” she wrote. “Today, I’m pro-life. After watching #Gosnell & doing in-depth research, I finally understand the horrors of loopholes in late term abortions. Pls go watch Gosnell.”

Zhu is not the only person to have this reaction to seeing the film.

And the film’s producers themselves said that when they showed an early cut of it to a liberal friend, he admitted that it made him “re-think everything” on abortion.

This, this right here, is why liberal Hollywood is so afraid of this movie. This is why they fought so hard to keep it from getting made, why they tried to shut down its crowdfunding, why they used sleazy legal tactics to block its ditribution for 3 years, why they refused to review it in mainstream newspapers or allow it to be advertised on social media, why they’re dropping it in hundreds of theaters just as it gains box office momentum, why they’re even trying to shut down its Wikipedia page. They’re trying to memory-hole this movie as much as possible, because they know once a movie gets made and put out there, it’s out there forever. And they know this movie is dangerous to the pro-abortion agenda because of the effect it’s having on people like Kathy Zhu. Who knows how many more fence-sitters it could affect this way if it’s allowed to stay in theaters?

Over the years there have been plenty of movies and TV shows that deal with the issue of abortion, some in favor of it (If These Walls Could Talk, Vera Drake), some against it (October Baby, Bella), and some ambivalent. But they’ve all danced around the actual procedure, or ignored it completely. “Gosnell” doesn’t. It makes sure we know exactly what it is. That’s its power, and its value in this debate. It’s very easy to consider oneself “pro-choice” if you don’t have to square that with the reality of the choice you’re defending, and its consequences. I considered myself pro-choice until I took the time to actually learn about abortion, and think about it logically. Liberals don’t want us to do that, they want to brainwash us into repeating mindless, emotion-based cliches about freedom of choice and women deciding what to do with their own bodies, without giving them too much thought. I believe that if we all were to see, in stark detail, what actually happens in an abortion, there’d be alot less abortion supporters out there.

And this is why I roll my eyes when I see my fellow conservatives brag that they don’t watch movies, and that they’ve given up on Hollywood. Well, you may have, but there are millions of impressionable children and young adults who haven’t, that are allowing themselves to be influenced by this culture, and will vote accordingly for decades. Top Gun convinced people to join the Air Force, Smokey and the Bandit convinced them to buy Trans Ams, and Farenheit 9/11 convinced them to vote Democrat. Like it or not, movies influence people. That’s why we need to take our culture back, not give up on it. Conservative culture can influence people just as well as liberal culture can, and the best part is, they have to lie to do it, and we just have to tell the truth.

Friday Open Thread

Dammit Wojo — look at the camera! This photo sums up a good chunk of my childhood. From Battle of the Network Stars VII (11/2/1979)… the roster includes (according to Wikipedia) is:

Hosts: Howard Cosell and Billy Crystal

ABC
Dick Van Patten (captain)
Willie Aames
Diana Canova
Joanna Cassidy
Robert Hays
Max Gail
Kristy McNichol
Shelley Smith

CBS:
Ed Asner (captain)
Valerie Bertinelli
Gregory Harrison
Howard Hesseman
Kathryn Leigh Scott
Judy Norton Taylor
Jan Smithers
Allen Williams

NBC (winner):
Robert Conrad (captain)
Greg Evigan
Gil Gerard
Melissa Gilbert
Erin Gray
Randi Oakes
Sarah Purcell
Patrick Wayne

Most Honest Democrat Ad Ever

CRTV’s Allie Beth Stuckey gives us the ultimate Democrat campaign ad. Funny and painfully accurate.

Thursday Open Thread

NOTORIOUS (1946)

DP: Ted Tetzlaff

Dir: Alfred Hitchcock

More Shots: buff.ly/2vzbraX

Delicious Pulp

Astor Alexander is an artist who specializes in making fictional pulp covers for pop culture items (movies, video games, comic books, anime, etc). You can see more of his work here.

The properties he has reimagined as classic pulp books include:

Disney Princesses

Pocahontas
Snow White
Mulan
Continue reading Delicious Pulp

Wednesday Open Thread

Workers smoking on a Chrysler building gargoyle, NYC, 1940.

Tuesday Open Thread

This Afternoon's Broadcast Is Brought to You by ...

Denis Leary and Massachusetts’ favorite family.

The Walking Thread: Warning Signs (S9, E3)

TWD 9.3

Starting with last season’s finale, it was obvious that Rick’s hopeful vision for the future, and the “let’s all forgive each other” message he pushed to achieve it, would be a bitter pill for many to swallow. With “Warning Signs”, we finally discover just how bitter it is, and for how many. We’ve known for some time that there was postwar tension between the communities and a philosophical rift forming between Rick/Michonne and Maggie/Daryl, and by the end of the episode we finally understand just how deeply those differences run. Not only does this episode do a fine job of revealing to us (by way of a murder mystery plotline) how badly things are coming apart at the seams, it makes a surprisingly compelling case for capital punishment, even though its protagonist probably wouldn’t agree with that.

The episode opens with a couple of very effective sequences showing how much better life has gotten for Rick since the war with the Saviors ended. In the first, he pulls a ripe tomato from the garden and puts it on Carl’s grave, a way of expressing how he is building the world his son wanted. In the second, we see a montage of him spending the day with Michonne and his daughter Judith, playing and enjoying each other like a normal, happy family. As enjoyable as it is to see them in such contentment, this is clearly the calm before the storm for him.

In the main plotline, the body of Justin (the jerky long-haired ex-Savior from the last episode) has been discovered, murdered. It’s obvious that someone is targeting Saviors for death, and Team Rick’s inability to protect them threatens to cause a full-scale riot and rip the communities apart, not to mention prevent the crucial bridge from being built. (Symbolism, anyone?)

Rick and his group set out to track down who is committing the murders, and in the course of that another ex-Savior, a woman named Arat, is abducted. After a series of violent close encounters in the woods with both human and Walker alike, Maggie and Daryl (both of whom have serious grudges against the Saviors) track her down and discover to their shock that it’s the women of Oceanside who have been killing the Saviors, as retribution for the murders of their husbands, sons etc. in the past. Not only that, but they only started the killing after seeing Maggie execute Gregory. That act showed them that they don’t need to follow Rick’s blanket amnesty, which was all the justification they needed to start avenging the wrongs of the past.

Arat, who has genuinely been trying to earn her redemption and become part of the new community, begs Maggie to save her from the vengeful women. Maggie is at first horrified by the vigilante justice she has inspired, but after learning that Arat sadistically murdered an 11 year-old boy when she was a Savior, she and Daryl walk away and let the Oceansiders take their bloody revenge. They promise that Arat is the last one they kill, but as this show has shown us in the past, bloodlust can’t just be turned off like a tap. As a result of Rick’s inability to prevent Arat’s death, the Saviors walk way from the bridge-building project and presumably away from the communities, the postwar alliance finally broken.

Daryl and Maggie, inspired by Oceanside’s example, walk back to Alexandria and decide it’s time to do what they’ve been wanting to do from the beginning: walk into Negan’s cell and kill him, consequences be damned. It’s gonna be tough for Rick to fix this one.

In the b-plot, we finally learn one of Ann’s big secrets: back when she was Jadis, the reason she and her friends were so rich in resources and safety was because she abducted people and “traded” them to whatever community the helicopter represents. Father Gabriel discovers this, and she tries to placate him by suggesting he leave with her so that they can be together. When he (understandably) says that he wants no part of anything that involves human trafficking, she knocks him out with a pistol, and implies that he will be her next abductee. Poor guy just can’t catch a break.

TWD9.3.1

Random thoughts on this episode:

-Zombie kill of the week goes to Maggie, for bottlenecking a bunch Walkers up in a hallway and knifing them in the head in quick succession. Really cool move. (Cyndie’s stabbing one up through the chin with a pitchfork was pretty cool too, and a nice foreshadowing of how she would later stab Arat in the head.)

-Interestingly, “Warning Signs” felt more like a character-driven episode, even though in retrospect there was plenty of action and tension involved. It’s to the show’s credit that so much of each element could be packed into one episode while keeping us focused on the plot.

-Having the Oceansiders be revealed as the murderers was a nice twist. Up until now, most of the tension was with the former Saviors, which made sense but was getting stale quickly, so it was refreshing to have the real threat come from somewhere else. And it makes sense, given that these women were not part of the main group, but got pulled into the war against their will, thus they don’t feel any particular affinity for Rick or his rules.

-I’m not sure we’re supposed to condone the kidnapping and murder of Arat, but her horrible crimes as a Savior definitely deserved punishment. And in a postapocalyptic world completely devoid of laws, wronged people will still thirst for justice, and while Rick’s blanket amnesty was well-intentioned, it didn’t provide anyone that. It shows how desperate this society needs rule of law and punishment restored, which is hopefully where Michonne will come in.

-Rather unexpectedly, AMC has announced that the next two episodes will be Rick’s last. Obviously, things aren’t going to end well between him and Maggie (although Lauren Cohan is apparently leaving the show soon as well), and I’m very curious to see how they wrap his character’s story up for the next couple of weeks. (Michonne is gonna have her hands full, since it’s being implied here that she and Rick are working on another kid, which means she’s going to have to rebuild law and order while raising two kids on her own.)

-That one Savior really thinks he can take Carol hostage. That’s adorable.

-The climactic scene of this episode involves a woman being murdered by other women to avenge a boy, while yet another woman lets it happen. That’s got to offend a man-hating feminist somewhere.

-Other than that scene where he interrogates Daryl, we never really get to see Rick put his skills as an ex-cop to much use in investigating the Saviors’ murders. That seems like a wasted opportunity. I know he was just a small-town Sheriff and all, but it would’ve been cool to see him go full Sherlock Holmes for an episode.

-A wicked bit of irony: during the big zombie fight scene, both Maggie and Daryl save Cyndie’s life. Later, they watch her commit a murder that probably would never have happened if the Walkers had killed her (she was taking revenge for her little brother’s death). So a weird twist of fate made them unintentionally complicit in the death, in addition to them letting it happen.

This Week's Trailer Park Round-Up

Happy Monday, Threedonia! This week we’ve got trailers for Arthurian sword-and-sorcery in the modern world, Nicole Kidman as a damaged cop, a young woman trying to survive a drug cartel, and more. Hit the jump to see them all.

1. The Kid Who Would Be King

When a schoolkid comes across the Sword of Merlin, he unleashes an Arthurian world of sorcery and mythical creatures on our world, and must lead a fight against the evil Morgana. Looks like a fun family/fantasy movie targeting the Harry Potter crowd. Stars Rebecca Ferguson and Patrick Stewart. Written and directed by Joe Cornish (Ant-Man, Attack The Block).

2. Destroyer

10 years after an undercover assignment went horribly wrong, a traumatized, haunted cop (a very gaunt-looking Nicole Kidman) decides to confront the demons of her past once and for all. This looks like pretty intense stuff, and Kidman is already getting some serious Oscar buzz for her performance in it. Also stare Sebastian Stan and Bradley Whitford. Directed by Karyn Kusama (Girlfight, Aeon Flux).


Continue reading This Week’s Trailer Park Round-Up